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Neil Harbisson: The World’s First Cyborg, Color Blind Artist

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The World First Cyborg,Color Blind Artist Neil Harbisson,World First Cyborg Neil Harbisson,Startup Stories,UK Government Recognises Cyborg Status,World Government Summit,2018 Technology News Update,World First Cyborg News,Cyborg Foundation,World First Cyborg Artist,Startup News India 2018

Humans have been using technology to improve the standard of their day to day lives and increase the efficiency of doing things. The rapid advances in technology have been met with criticism and support. One such development in technology allowed Neil Harbisson with an extreme form of color blindness “hear” visible and invisible wavelengths of light.

Neil Harbisson, a British born cyborg artist, is the world’s first legally recognized cyborg who has an antenna implanted in his head as a way to ‘cure’ his color blindness. Neil received official bionic status from the United Kingdom government officially making him a cyborg. At age 21, he co devised the antenna sensor implanted in his head that translates different wavelengths into vibrations in his skull, which he then perceives as sound.

At the World Government Summit which is a forum for government leaders to discuss technology, innovation and futurism Harrison said the antenna is not a device but an essential body organ. “I have an antenna that is implanted inside my head, which allows me to extend my perception of reality beyond the visual spectrum. I can sense infrared and ultraviolet. I also have internet connection in my head that allows me to receive colors from other parts of the world or connect to satellite so I can send colors from space,” he added.

Harbisson believes, the biggest challenge for the current generation would be designing ourselves and not the world around us. “The more we design ourselves, the less we will have to design the planet. If we had night vision when cities would be dark, we would not have to spend so much money and energy to create lighting systems. It would also be better for the environment. Also, if we could control our own temperature, we would not have to use air conditioning or heaters. We would not have to heat up the planet when it’s cold or vice versa.

In 2010, this cyborg activist also cofounded the Cyborg Foundation along with Moon Ribas to defend cyborg rights, promote cyborg art and support people who want to become cyborgs. In 2017, he co founded the Transpecies Society to represent those people who identify themselves as non human. The Transpecies Society aims to give a voice to people with non human identities, raises awareness of the challenges transspecies face, advocates for the freedom of self design and offers the development of new senses and organs in the community.

Harbisson is not just an advocate for the Transpecies. His art was also exhibited during the 54th Venice Biennale, at Palazzo Foscari, Savina Museum of Contemporary Art, ArtScience Museum (Singapore,) Centre d’Art Santa Mònica, Pollock Gallery, Museumsquartier (Vienna,) Pioneer Works (New York City) and at the American Visionary Art Museum, among others. He also published the Human Color Wheel in 2009 which is based on the hue and the light detected on hundreds of human skins from 2004 to 2009. The book was aimed to raise awareness and state that humans are not black or white, humans are different shades of orange, from very very dark orange to very light orange.

Ranked along with the works of Marina Abramovic and Yoko Ono, Harbisson’s work is considered to be one of the most shocking art performances ever. Pointing his antenna at different parts of a face, Harbisson writes down the different notes he hears and later creates a sound file to create a sound portrait. His work is focused on creating a new sense and creating external artworks through these new senses.

Looking at the immense work the world’s first cyborg has created, it is safe to say the future looks promising!

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Bhavish Aggarwal’s Krutrim Unveils ‘Kruti’ — An Agentic AI Built for Bharat

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Kruti

Bengaluru, June 2025 – Krutrim, the AI startup founded by Ola’s Bhavish Aggarwal, has launched its new agentic AI assistant, Kruti. Unlike traditional virtual assistants, Kruti is designed with an Indian-first approach — combining cultural context, multilingual capabilities, and generative AI to offer a more intuitive, task-oriented experience for users.

Kruti is built to do more than just respond to queries — it can independently perform tasks, make decisions, and integrate across platforms for productivity and communication. Powered by Krutrim’s proprietary Indian-trained language model, it brings a deep understanding of local languages and digital behaviors, catering to both personal and business needs in the Indian ecosystem.

Aggarwal described Kruti as “India’s digital brain,” highlighting its role in redefining AI for Bharat. The assistant will be rolled out in phases, starting with enterprise partners and expanding through apps and APIs. As Kruti integrates into various platforms — including Ola’s services — it marks a significant stride in India’s ambition to lead the global AI race.

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Bankruptcy Forces BYJU’S to Offload Epic and Tynker for a Fraction of Acquisition Cost

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BYJU’S StartupStories

BYJU’S, once India’s most celebrated edtech startup, has sold its major US-based subsidiaries Epic and Tynker for a fraction of their original purchase prices, marking a dramatic reversal in its global expansion strategy. The distressed sales, approved by a US bankruptcy court on May 20, 2025, come amid the company’s ongoing financial and legal turmoil. Tynker, a coding education platform acquired by BYJU’S in 2021 for $200 million, was sold to CodeHS for just $2.2 million in cash, while Epic, a digital reading platform bought for $500 million in 2022, was acquired by China’s TAL Education Group for $95 million.

These fire-sale transactions were part of a broader restructuring effort to address disputes with lenders after BYJU’S defaulted on a $1.2 billion loan, which triggered bankruptcy proceedings for its US entities. The company’s US unit, Byju’s Alpha, became the focal point of legal battles, including allegations of mismanagement and the misappropriation of funds by top executives. Court rulings in the US have highlighted instances of fraudulent transfers and breaches of fiduciary duty by suspended directors, further compounding BYJU’S woes.

As BYJU’S scrambles to stabilize its core operations, several of its other high-profile acquisitions, such as Great Learning and Aakash Institute, have started operating independently and distancing themselves from the parent company. The massive losses from the sales of Epic and Tynker underscore the risks of BYJU’S aggressive acquisition spree and the severe impact of its financial mismanagement, leaving the future of the once high-flying edtech giant in question.

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Flick TV Secures $2.3M to Revolutionize India’s Micro-Drama Streaming Scene

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Flick TV StartupStories

Flick TV, India’s first mobile-focused OTT platform dedicated to micro-dramas, has secured $2.3 million in seed funding led by Stellaris Venture Partners, with participation from Gemba Capital and Titan Capital. Founded in early 2025 by Kushal Singhal, Pratik Anand, and Sanidhya Mittal, the platform aims to address the growing demand for high-quality, short-form storytelling tailored for mobile consumption. Unlike traditional user-generated short video platforms, Flick TV produces professionally shot, under-five-minute dramas across genres such as romance, thrillers, and slice-of-life—each crafted for vertical viewing to suit India’s rapidly expanding mobile internet audience.

The newly raised capital will be used to scale up content production, with plans to launch over 100 original titles, enhance the platform’s streaming technology, and expand offerings into four regional languages. Flick TV is also investing in generative AI and advanced workflows to streamline scripting and production, aiming to combine creative excellence with operational efficiency. The founders bring deep expertise from previous roles at ShareChat, EloElo, Meesho, and Pocket FM, positioning the company to bridge the gap between creator agility and cinematic storytelling in India’s nascent micro-drama ecosystem.

Industry observers see Flick TV as a frontrunner in India’s next entertainment wave, which is expected to be mobile-native, emotionally engaging, and built for short attention spans. With the micro-drama market projected to reach $5 billion in India over the next five years—mirroring the $7 billion success in China—Flick TV is poised to set new standards for premium, binge-worthy short-form content and redefine streaming for the modern Indian viewer.

 

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